In 2013, Christopher Nolan’s third installment of the Batman series hit theaters. It was a dark and brutal serial killer story with an unrelenting Bruce Wayne — The Dark Knight himself. Vengeful in scope, it is considered one of the best films ever made by any director or actor involved on both sides of the camera.
The “the batman 2021 joker” is a dark and brutal serial killer story with a vengeful Batman. The game was released on the 21st of October in 2021.
MOVIE REVIEW – Kurt Cobain’s horrific Something in the Way serves as the dominant musical theme in this noir thriller of the “world’s finest detective” tracking down a serial murderer who resembles the murders in two David Fincher masterpieces, The Seventh and Zodiac. The Batman is a great Dark Knight picture, but that’s about all Matt Reeves’ film has to offer.
When a serial murderer known as the Riddler (Paul Dano) begins murdering Gotham City’s high-profile figures one by one, Bruce Wayne (Robert Pattinson) is just two years into his job as the masked vigilante known as Batman. Bruce must unravel the clues and halt a terrorist assault with the assistance of Lieutenant Gordon (Jeffrey Wright) and Selina Kyle/Catwoman (Zo Kravitz), all while coping with his family’s legacy.
Batman Noir, or the darkest knight ever, is a fictional character created by Batman.
At one of The Batman’s pivotal moments, Paul Dano’s Riddler comments, “Gotham likes a comeback story.” The Dark Knight had to rise again after the twin failures of Batman V Superman and Justice League. Other notable returners include Robert Pattinson, the most recent actor to wear the cape and cowl, and filmmaker Matt Reeves, who previously helmed Cloverfield and poured new life into the Planet of the Apes sequels.
While it has taken the character out of the DCEU narrative in a nearly three-hour solo superhero feature, this is the darkest Knight yet — a film that has more in common with David Fincher’s Seventh or Zodiac than your typical comic book film.
This isn’t a case of lyrical exaggeration. The film begins with Dano’s terrifying Riddler brutally beating a guy to death as the victim’s creepy dying moans can be heard. The sequel becomes more difficult as the puzzle-obsessed maniac kills his victims mercilessly while enacting his own “justice” in a manner that would make even John Doe (The Seventh) of Zodiac or The Saw Killer happy. This isn’t Jim Carrey acting crazy and dancing about in strange costumes…
The wounds that Batman has sustained will not heal.
The gloomy mood is mixed with nearly absolute realism, which is ideally matched to the original comic book character. The plot of Gotham and Batman in this picture is based on fact, with a psychological and physical reality that is very near to reality. This isn’t an universe where superheroes and extraterrestrials rule. Batarangs are blades used to break the police tape that blocks off crime scenes, not shurikens hurled with superhuman accuracy. The Batmobile is a beefed-up American muscle car, not a super-vehicle that can be turned into a tank at any moment, as in the third Batman: Arkham Knight. The batsuit may be indestructible, but this is a Batman who doesn’t let his wounds heal quickly — either literally or metaphorically.
The narrative revolves on a masked lunatic who kills the town’s significant people and damages their reputations two decades after the deaths of Thomas and Martha Wayne and two years after Bruce’s “career” as a batman. Sergeant James Gordon (Jeffrey Wright) seeks the aid of “The Batman” after finding puzzles written to him at the site of each crime, provoking the fury of his GCPD superiors.
Batman is constantly one step behind his logical opponent, as is characteristic in noir films. Wayne encounters Selina Kyle (Zoe Kravitz) and her alter-ego Catwoman as they dive further into the criminal underbelly of Gotham, where they run into both the Penguin (a completely unrecognizable Colin Farrell) and his boss Carmine Falcone (John Turturro).
“The finest investigator in the world”
It’s a thick, convoluted detective narrative that engrosses you from the start, invoking the best Batman films ever made on screen and continually moving and rearranging plot strands to present a better image of the city and its residents.
However, it is the first Batman film to fully embrace the oft-forgotten fact that the good old Bat is “The finest investigator in the world”, and the story unfolds entirely on the rain-soaked streets and underworld of corruption and crime-ridden Gotham as our heroes chase a serial killer.
However, the focus of this narrative is on Batman. No Bat-movie has ever put so much emphasis on the caped crusader Bat in the middle of the action rather than his arch-enemy. Fortunately, Pattinson is equal to the challenge – from romantic vampire and adolescent girl’s fantasy to convincing hero of independent films and film dramas, his actor has proved himself to be a very believable masked criminal fighter. Batman, who is almost always infernally furious and despised at the same time, does not spare those who cross the line into crime, yet he is adamant about the golden rule of “no murdering.”
Fear is as much a weapon as his fists like meat tenderisers for the Dark Knight, who adopts dramatic and terrifying techniques. In every definition of the term, the battle scenes are more explosive than most comic-book flicks with no repercussions. They’re both harsh and neatly orchestrated, and they purposefully ignore the previous films’ extraordinary superhuman athleticism. Instead, this Batman is a sluggish, unskilled fighter who often receives as many punches and kicks as he gives.
Emo-Wayne
While this Batman representation is good and genuine, the Bruce Wayne version is a touch uninteresting — too drab and repetitive to enjoy Wayne’s company for long. Reeves has restricted Wayne’s appearances to a bare minimum, which is telling. In this Gotham, Bruce is an aloof man who lacks Christian Bale’s playboy glamour, a billionaire with an emo haircut and gothic eye make-up reminiscent of The Cure, more of a sullen teenager than the most incredible superhero in comics, more of a sullen teenager than the most incredible superhero in comics. Perhaps it’s more realistic that a guy who turns to costumed vigilantism has a skewed personal life, but the movie isn’t as entertaining to watch when Bruce is on screen.
Excellent supporting characters
This is countered by a diverse cast of supporting characters, most of whom are reworked versions of well-known faces. For most of the picture, Wright’s Sergeant Gordon serves as Batman’s sidekick (“What is this, good policeman, bat-shit cop?” quips the Penguin), and the two form an amusing match. Alfred, played by Andy Serkis, is a rougher, harder Pennyworth than the helpful butler from the first two films, yet his pity for Bruce’s “lord” and worry for his dark ways are obvious.
Colin Farrell certainly enjoyed himself in the character of “Oz,” as seen by his outstanding performance. Despite the fact that his performance is the most typically funny in the picture, it is so entertaining to watch that it is never obtrusive – and it also balances out the film’s ominous tone. Meanwhile, as Carmine Falcone, John Turturro plays a character who is shockingly crucial to The Batman’s tale — a figure made all the more unsettling by his ostensibly affable, yet psychopathic personality qualities, which the actor brings to life with perfect technique.
Selina Kyle, played by Zoe Kravitz, is given an equally crucial role, since she is also hunting for a missing individual alongside Batman’s investigation. This is a persuasive partnership in and of itself. Even while Pattinson and Krawitz have wonderful chemistry and the film’s somewhat hot sensuality fits nicely into this dismal plot, the romance that evolves into a love story is less so. And, although Kravitz is a physically capable Catwoman whose speed and agility compensate for her lack of size, this isn’t a very exciting or innovative take on a character who has been brilliantly portrayed on film many times before. It would be a crime to deny it: Zoe Kravitz is no match for Michelle Pfeiffer, but Anne Hathaway’s Catwoman also persuaded me.
For a minute, it’s not dull, but three hours is a touch excessive.
The Batman is a 175-minute picture featuring a lot of action. It’s a serial killer thriller, a political conspiracy thriller about the legacy of falsehoods, a love tale between the Bat and the Cat, a narrative about Batman’s second year, and the origin stories of various DC villains all rolled into one. While we don’t witness the iconic murder, the beads rolling all over the place, or the sadness of the young Bruce (thank god…), Bruce’s background and his relationship to the rot in Gotham’s heart are crucial.
Gotham is beautifully depicted, with dramatic locales and perfect visual effects, as a purposefully banal and hence genuine city. The Batcave and Wayne Tower are gorgeous Gothic settings, but there are so few of them on display that we feel terrible for the production crew that went to such lengths to create them. Greig Fraser, the cinematographer, deserves special recognition for achieving a beautifully professional finish, comparable to his work in The Dune, by combining deep black and other vivid colors in his color pallet.
However, particularly in the film’s excessively packed last act, this enormous running length is as much a problem as it is a virtue. The Riddler is absent from the screen for most of the film’s middle portion, while the film continues the thread of the secondary criminal narrative. As a result, before the climax sequence, which is ill-suited to the character-driven inquiry that precedes it, the momentum is interrupted. Reeves is definitely a director who is enamored with this man and his environment, to the point that he was unable to pick up the editing tools when he needed them the most. By the conclusion of the movie, I got the impression that the Nolan franchise’s closing scene had been inserted.
Nolan’s Batman hasn’t vanished; he’s just evolved.
While the last Joker film was a contentious but unquestionably brave effort to recreate the renowned comic book villain, this Batman is mostly treading familiar terrain. It also occurred to me that Reeves and co-screenwriter Peter Craig are mostly working with the same source material as Christopher Nolan and his colleagues in the Dark Knight trilogy. At moments, Batman seems more like a reinvented version of the Nolan trilogy, darker and more brutal.
To sum up my thoughts at the outset of this essay, The Batman is a fantastic return to the original character, even if it does place a heavy emphasis on the main character, presenting an amazingly well-crafted serial killer narrative that is both a riveting, dark, filthy, and exciting detective thriller. Of course, this isn’t always a negative thing, since the Christopher Nolan trilogy is easily one of the finest Batman movies of all time. After a decade of decline, the triumphant return of the Dark Knight is just what we needed.
-BadSector-
REVIEW: Kurt Cobain’s frightening film The key musical theme in this noir thriller about the “world’s finest detective” pursuing a serial murderer who is evocative of the murders in two David Fincher masterpieces, The Seventh and Zodiac, is “Something in the Way.” The Batman is a great Dark Knight picture, but that’s about all Matt Reeves’ film has to offer. When a serial murderer known as the Riddler (Paul Dano) begins terrorizing Gotham, Bruce Wayne (Robert Pattinson) is just two years into his job as the masked vigilante known as Batman…
A Dark And Brutal Serial Killer Story With A Vengeful Batman – The Batman is a dark and brutal serial killer story with a vengeful Batman.
A Dark And Brutal Serial Killer Story With A Vengeful Batman – The Batman is a dark and brutal serial killer story with a vengeful Batman.
2022-03-02
Gergely Herpai (BadSector)
The Batman is a terrific return to the original persona, even as it places the most emphasis on the main character, delivering an amazingly well-crafted serial killer narrative that is compelling, dark, nasty, and exhilarating detective thriller. After a decade of decline, the triumphant return of the Dark Knight is just what we needed.
8.4 Direction
8.2 Actors/Actresses/Actresses/Actresse
7.6 out of 10
8.2 Action/Visuals
8.4 Ambience
8.2
EXCELLENT
The Batman is a terrific return to the original persona, even as it places the most emphasis on the main character, delivering an amazingly well-crafted serial killer narrative that is compelling, dark, nasty, and exhilarating detective thriller. After a decade of decline, the triumphant return of the Dark Knight is just what we needed.
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The Batman is a dark and brutal serial killer story with a vengeful Batman. This book will be released on October 4th, 2018 by DC Comics. The trailer for the book was released on September 12th, 2018. Reference: the batman trailer.
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